Inhibition and Audience Effect: What Happens When A Photographer Loses Interests in His Photography?

Text copyrights Eki Akhwan, all rights reserved.

A photographer friend of mine is having a serious problem right now. After years of love affairs with photography, he – of late – feels that he can’t “make” photographs anymore. The emphasis here is on the word “make” as opposed to the word “take,” like in taking pictures. He can still snap pictures, of course, which is quite easy and of which anyone with a camera can do. The paralysis that he feels is of making good photographs, one thing that he has been doing very well for many years as a photographer. He is a champion in many ways and, I can comfortably say, many of his works are exemplary and a source of inspiration for my own works. Needless to say, I can feel his desperation. I too would feel the same if out of a sudden I should suffer the same kind of paralysis. Like I said somewhere in one of my postings before, making photograph for a photographer is like a lifeline. Denying a photographer the chance to make photographs is like taking away his source of life energy.

Now, what’s happening here?

Skills-wise, there is no way that he has suddenly lost the ability to make good photographs, much less his talents and visual dexterity. Considering that he is physically healthy too, I can only conclude that the cause of his detriment must be psychological. It could be from mental or physical exhaustion, which by the way, he thinks it is. I, however, tend to rule this out as, in my own experience, photography - for photographers – one of the best ways to overcome those things. That leaves me searching for other explanations to understand why this curious phenomenon could happen.

A little library research I did over the past few days revealed that this phenomenon may have something to do with what in psychology is called inhibition, i.e., a kind of interference with behavioral response to a stimulus. More specifically, what my photographer friend is currently experiencing could be categorized as a symptom of reactive inhibition of the social kind.

Reactive inhibition is a tendency towards a weaker response to a stimulus that is caused by a long stretch of practice or activity. In my friend’s case, his long of practice and activity in photography has, over time, made him lose some degree of acuity in his response to visual stimuli that he needs to produce this photographs. From this distance, his inhibition seems to be socially motivated and, more specifically, it comes as a result of what psychologists believe as “audience effect”. Put in a plain language, this simply means that my friend’s photography is being paralyzed by his own perception and expectations of his (passive) audience and his judgment of his own ability to meet those expectations.

If the above explanations still somewhat sound too theoretical, this is how it works. As someone who is very good at what he does (i.e. photography), he has somewhat achieved a standard of his own of the kind of photography he makes. The same goes with his audience who has come to expect only high quality photographs from him, which by the way has also become his perceived idea of his audience. This situation puts a lot of constrains in him. He can not go down in standard and yet to go up he would need a lot more energy and dedication than what he has already spent. Together with his decreased response to stimuli that resulted from his long stretch of engagement in photography, this can be too much to handle, thus the paralysis.

There are at least two options one has to overcome the situation. First, he has to learn to let go of his social inhibition, that is relieving himself from the kind of burden he has about the quality of his photographs and his perception of his audience expectations. Flowing with what I would call “photography instinct” is advisable. He should not push himself too hard. Just take or make photographs of whatever moves him visually, and worry about the quality later. Second, he has to find a community of appreciative audience who can take him for whatever he is – his strength as well as his weaknesses. Encouraging comments from a community like this could work magic to regain his confidence and self-esteem as a photographer.

I hope this article helps those who have similar problem.

Visual Stimulations - Daily Excercise for Photographers

Text and pictures by Eki Qushay Akhwan

Above all else, being a photographer, I think, is about being sensitive and acute to visual stimuli. Such sensitivity may be in-born in some people, but for the majority others, they are acquired skills. And, like any other skills, visual dexterity can only be maintained and improved through discipline and constant exercise.

Unlike pro photographers who have their skills honed with every project they have and who don't generally have to be concerned with making a living from a job other than photography, we - amateurs and photo enthusiasts - have to create our own opportunities to sharpen our skills and do have non-photography things to worry about, e.g. job, study, family, etc. Over time, these other life priorities and excuses can cost us our visual acuity, and make our mind numb, our hands stiff, and our camera bodies rusty - not to mention the accumulating dust and growing fungi in our lenses.

To a photo enthusiast like us, not making a photo over a long period of time is like slowly killing ourselves; the vigor of our photography, skills, and equipments will eventually be wilting and die with our sanity.

Of course, there are always options. After all, living things are made to defy (well, defer) death. This is what I do (and I think many other photography enthusiasts do) and would like to suggest to you:



First, I always have a camera with me. It’s small, lightwieight, pocket Canon PowerShot A510, 3.2 mpx. It sounds pretty out of date for today's standard of 7mpx or above. But I love this camera and it has made many of my favorite photographs. It is reliable, has friendly controls and versatility that only a few other digital pocket cameras (DPC) could offer.

I am not trying to suggest that it is the camera you should get for yourself. In fact, I think, any cameras will do as long as it is small enough, light weight, versatile, and let you have as much control as possible in your picture-making. My camera (the one I mentioned earlier) has shutter and aperture priorities, manual overide, white balance control, and – last but not least – exposure compensation facility, which give me the controls I need to be creative in my photography.



Having a small and light weight camera has some advantages. It’s easy to carry around and it’s inconspicuous and does not attract attention in public places. It has its drawbacks too. The most serious is its shutter lag. But so far it’s okay with me.



The second thing I do now that I always have a camera with me is I take pictures whenever I can. On the way to and from work, at work place, etc. True, in places that you are so used to, our vision may sometimes be blinded – everything seems to look ordinary and not interesting anymore. But that’s exactly where the challenge is. Trying to see the “extraordinaries” in the “ordinaries” is, I think, the best exercise a photographer can get. Look and look again. There are a lot of things that can really surprise you when you really look. The building, its details (windows, doors, walls, straircases), the people and their activities, the parking lot. I find no shortages of visual inspirations in them. All I need to do is look and really look, and free myself from the constraints of what other would think of my photographs. I just flow with my visual insticts and take pictures of whatever catches my attention. Some of the pictures I make may not be of the liking of my audience, but I enjoy making them and usually like them, a lot. I feel that my creativity is being honed and my freedom of expression released from the “caging” of unappreciative look of my audience. What’s best though is that with this, I practice (exercise) my visual acuity and sensitivity to visual stimulations that are all around me. Here I include some of the shots I made when I really am free to explore my visual instincts.